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Interior Design Architecture And Technology Cultural Studies Essay

Paper Type: Free Essay Subject: Cultural Studies
Wordcount: 2798 words Published: 1st Jan 2015

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Nowadays, interior design become one of the most important works in the life, it can be define as a profession in relation to each what is going on within the space walls, windows, doors, finishes, textures, light, furnishings and furniture, the design of space inside homes and building such as choice of decor in other hand is the trade of planning the layout and furnishing of an architectural interior. It shows the art of the person and each design shows a particular person and has a distinctive design, even if it has more than one design, but there remains a personal touch shows the designer himself. Interior design is not far removed from the architecture, but is associated entirely. It cannot build without a design from the inside and it cannot also design the building internally without external. Architecture is for us a collective term for the material environment, for interior design, surface engineering, infrastructure, urban planning, landscape and region, but also for their construction and appropriation, for planning, construction, and inhabiting. Theory of architecture is a survey of the built environment by its inhabitants. But we will talk about something different; we will talk about Japanese houses and building that it is famous in its architectural and decorative and we will sort them by the date.

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There are lot kinds of houses and interiors in Japan. Yamamoto’s minka is great example, which was functional and built of study local materials. Such a house can be generally divided into two distinct zones. First zone it is the entrance area is called Doma. the sceond zone is the farmhouse usually stands on wooden plinth and includes the living area and bedrooms. another kind is Tsai houses are located in the countryside. In the house there is Tatami, it is used in Japanese style, made from plants and placed on the rooms ground, but it can’t place furnitures like chairs and beds because it damage the Tatami.

The city of Tokyo, one of the most populated areas civilization on the planet, Tokyo contains a large number of population of some 33 million people and a high percentage of architecture, although the Tokyo dating back to the 17 century to 19 century until it became the capital of Japan, but what little remains of the original architecture because of two: the occurrence of an earthquake in 1923 and World War II, which affected much of the population down to half. Economic development in Tokyo after the war has to show a new city, and vast in area, a magnificent architectural and this remains with the original planning of the ancient city.

First, in 2000:

Small jewelry store ete is located on the Kotto Dori, is a commercial street of old shops that now contains contemporary decor and breathtaking scenery bright and has done so in the design simple and clear powered lighting: and have been using green light on surfaces instead of using the green surfaces so This creates a sense of color is beautiful, and the impact of hidden in the décor.

Ete 2000

This new store for comme des garcons, in the elegant district of Aoyama represents the company’s quest for a new concept in shopping premises. Instead of following the pattern of a predefined corporate image, as was the case with stores ten or twenty years ago, the firm now offers a space that can be adapted to every situation, in which design is expressed through a number of subtle nuances. Distorted geometrical forms, bright colors and an austere backdrop are the key elements of this project.

Comme des Garcons 2000

Second, in 2001:

The designer Issey Miyake that created the new brand name Me Issey Miyake produces only T-shirt made of flexible materials, and thus, is worn by anyone, the concept of this production is applied to the design of the shop, and it has been to maximize the use of available scarce.

Me Issey Miyake 2001

Interior design of the Tag Heuer store hours was a find a space to reflect the contemporary, Their Excellencies and technology. Complexity and development of this place, the result of Continuous coating, which led to modernism and reduce lines, and so the customer finds many of the elements that show several meanings: the traditional use of wood in a modern way with the transparent glass plates, walls, and use the beauty of glass and twisted compact (2001)

Tag Heuer 2001

Characterized by Street Giza busy supermarkets and malls have massive fronts and neon lights, unlike the street, but the interfaces of sheet metal and curved glass, and austerity. From the inside, however, visitors will see the developed world Merged with the details and equipment such as the auto show Nissan.

Nissan gallery Ginza 2001

This project aimed to create an avant-grade, hi-tech look while overcoming the limitations of a narrow lot and preserve the traditional touch of the firm that commissioned the building. The cladding, consisting of prefabricated glass blocks measuring 18 X 18 inches specially made for this project, mark a bright, continuous separation between the tranquility of the interior and the bustle of Ginza, Tokyo’s most famous shopping district, A sophisticated and flexible articulated steel system was designed to prevent any damage from possible earthquakes.

Maison Hermes 2001

the design of night club, in the heart of popular bar district of Shinjuku, had two main objectives, one social and other strictly physical: on the one hand, to create a setting that encourages interaction between customers and waitresses, and, on the other, to conjure up an illusion of spaciousness on premises that are really of limited dimensions and low in height. Curved walls, bright colors and longitudinal perspectives are the main elements used to achieve the desired effect.

Club Now 2001

This restaurant, which specializes in thick Japanese noodles, is designed to welcome several groups of guests, while offering each one a setting appropriate to their needs. The project is divided into three distinct areas. One revolves round large central table; a second is a high counter that overlooks the kitchen, while the third is n area with seats, ideally suited to meetings and small parties.

Hrenochi Hare Sugamo 2001

Third, in 2002:

The border between inside and outside, public and private Hamarek logic in central Tokyo, there is Dentsu tower consists of 48 floors, the line shows the ground until you feel it disappear in the sky, it designed a way that allows the sun to be reflected upon as encountered made of glass that causes for all day.

Dentsu Tower 2002

The project of French high school in Tokyo, including the various structures of a portion of an extension, the original design of this school was complicated thing has caused some significant challenges, such harmony with neighboring structures, and integration with the original buildings and expand the free space of the school … Building Construction sequence and to create a multi-purpose spaces on the basis of metal and glass structures.

Extension of French Japanese High School 2002

This long, narrow basement in a building in the Ginza neighborhood was converted into a distinctive bar using the color red and mirrors as the main design elements. The entrance via a staircase lined with velvet drapes and red lights arouses the visitor’s curiosity. On the lower level, the space is arranged around a bar and three couches, in the form of a circular niche, that are reflected in the mirror at the far end.

Cabaret 2002

Ginto occupies the fourth floor of a building devoted to commerce in Ikebukuro; it comprises a large restaurant divided into various spaces suited for single guests, couples or groups. The name Ginto, which means “silver rabbit”, served as a reference point in the design process. Silver is present in the main dining room, not only on the walls, furniture and decorative objects but also on the drapes made with silver beads that serve as dividing element.

Ginto Restaurant 2002

The overriding aim of this bar is not very different from that of the majority of Tokyo’s nightspots: the creation of a restful, welcoming atmosphere that provides a relaxing break from the hubbub of the city. In the case of Lounge O, set in the exclusive Aoyama neighborhood, this purpose is fulfilled by means of delicate lighting that emphasizes the interplay of textures and colors in its interior. The main hall marked off into various areas by two glass boxes in the middle of the space that serve as lamps.

Lounge 2002

The main characteristics of the brands on sale in this store – a distinctive style, a mixture of materials or manufacturing techniques – are also the guiding principles of the design of the space. These premises on the first floor of shopping mall in the fashionable Omotesando neighborhood have served as the backdrop for experimentation with the possibilities and combination of materials, with respect to both the proposals of those that existed in the original space.

Addition 2002

The project for this hair salon sought to find a feeling of privacy in a space flooded with light that plays with the idea of transparency. The wooden floor in the waiting area combined with the restrained furnishing create an atmosphere more redolent of a hotel reception that a hair salon. The six blowups from Mapplethorpe’s series of “baby Portraits” clearly divide the space into three sections: the entrance and waiting area, the shampooing area and hairdresser’s proper.

Bape Cuts 2002

This restaurant, which specializes in traditional Japanese cooking, provides a cozy refuge from the intense bustle outside. It is set on the first floor of a building in Shinjuku, Tokyo’s most important modern financial district; the atmosphere inside is reminiscent of a typical old-fashioned restaurant. The kitchen, set in the center, in full view of the customers, serve s an axis around which the various dining rooms are organized. The latter are characterized by the predominance of dark wood and soft lighting.

Gensai-Ichijyo 2002

Forth, in 2003:

Hakuju music hall gives a good feature to enjoy music Lech, not only that, but it has a strong and distinctive image to give the air a musician, but these outlines, it plans fiber glass and cement are the booster, which was used to wearing in the ceiling and walls gives high quality sound configuration optimization.

Hakuju Hall 2003

Mars the salon aoyama, the design of this place focused on the creation of space and contains different compositional elements; these elements have been created through a variety of materials such as wood, glass, metals, and also create different effects of light and shade, and used the color white because the white color gives the feeling of calm and hygiene.

Mars the Salon Aoyama 2003

the building can be analyzed from a wide range of conceptual and constructional viewpoints, The redefinition of shopping is perhaps most striking on its facade, reminiscent of a kaleidoscope, where the interior and exterior merge to enrich and from part of each other. Technical exploration and innovation are not only evident in this cladding, however, but are also seen in smaller details, such as the resin tables, silicone lamps and polyurethane benches.

Parda Aoyama Epicenter 2003

The New Meguro Hotel, the original building used for this project, was put up 35 year ago – a long time in a city like Tokyo, which has been devastated by numerous disasters. The surrounding area had become somewhat rundown, but when it was redeveloped the recovery of this distinctive building a necessity. The project conserved its original character but introduced modern touches in an attempt to give this hotel a homely feel.

Hotel Claska 2003

This 58-floor multipurpose tower block is the centerpiece of a massive shopping and entertainment complex in the important, central district of Roppongi. It’s includes offices, a hotel and a theater in base of the building and an extensive museum of contemporary art on the upper stories. The form of the tower and its cladding are derived from Japanese traditions, especially in the reproduction of natural forms by means of geometric patterns.

Roppongi Hills 2003

The ASK Academy, belonging to Schwarzkopf, the Garman beauty products manufacturer, consists of a center intended for both training and assessment for customers. Its strategic position in the central neighborhood of Shiodome, coupled with the ample dimensions of the original premises, made it possible to create a comprehensive consultancy. Its design makes use of state-of-the-art materials and techniques to formulate an international, high-tech image, while also allowing great flexibility in the interior spaces, according to their particular purpose.

ASK Tokyo 2003

The hairdresser’s is situated in the Odawara shopping district, on the outskirts of Tokyo. The narrowness of the access and front facade (a mere 10 ft wide) posed a significant design challenge. The project sought to take the fullest possible advantage of the space, emphasizing the interior perspective and continuity by means of gleaming surfaces and curved lines. The translucent glass partitions and furniture reduced to the basic essentials make the interior look bigger.

Hair Salon Musee 2003

Fifth, in 2004:

The design of this store located on the third floor of the Amara uses light as if it were a solid environment in space. And metals have been used to conceal the folded light, and this helped to light itself known within a store either mirrors and glass as affected in the light is reflected gives effect be felt vastly.

M-premier Black 2004

This 20 story building rises up from the previous site of a department store in the Nihonbashi neighborhood, close to several of the city’s historic monuments. The design proposes structure that is adapted to the surrounding low buildings and makes it possible to enjoy the expansive panoramic views of area of the area. The project comprises a shopping section in the form of a low, longitudinal volume, the stone-clad heart of the building and a vertical, transparent office block.

Nihonbashi 1-chome building 2004

The main design challenge pose by this project for showroom was the creation of an attractive, flexible space with a compelling visual image suited to the display of objects typically found in hotels. The display is organized around a series of spinning objects, which serve as a platform for the exhibits while also being striking sculptural elements in their own right. The theatricality is enhanced by the contrast between the black background of the surroundings and the whiteness of the objects.

Spinning Objects 2004

The designer Masamichi Katayama drew inspiration from the name of the brand – inhabitant – to create a space with references to a domestic setting. A table and a few chairs, rather than a counter, make a visitor feel at home, while a humorous touch is achieved with the sliding doors, which open automatically. To the rear, a stone garden flanked by mirrors and a picture of Mount Fuji, conjure up the feeling of an open space, even though it is in fact a basement.

Inhabitant 2004

Sixth, in 2005:

This project is a new addition to the list of corporate buildings designed by internationally recognized architects that have been springing up in Omotesando, Tokyo’s most exclusive commercial district. Its L shape is formed by a folded facade that architecturally interprets the branched structure of a tree. The various shapes produced by the concrete structure, and its great solidity, are emphasizes by hiding the window frames.

TOD’S 2005

this patisserie -the first to be opened in Tokyo by famous pastry chef Pierre Herme – is spread over two floors, each clearly defined by its character and interior design. The idea on the ground floor was to create a space that was luxurious while also being relaxed and cheerful, so it is dominated white decoration and bright light. In contrast, upper floor contains the Bar Chocolat, which strives for a highly glamorous setting based on dark colors, patterned glass and mirrors.

Pierre herme 2005

In conclusion, interior design and architecture complete themselves, however it is a beautiful world when they fusion with technology.


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